语言与心智(第三版)
标 签：语言理论与方法 语言学 语言文字
This is the long-awaited third edition of Chomsky' s outstanding collection of essays on
Language and mind. The first six chapters, originally published in the 1960s, made a groundbreaking contribution to linguistic theory. This new edition complements them with an additional chapter and a new preface, bringing Chomsky' s influential approach into the twenty-first century.
Chapters 1-6 present Chomsky's early work on the nature and acquisition of language as a genetically-endowed, biological system （Universal Grammar）, the rules and principles of which we acquire as internalized knowledge （I-language）. Over the past fifty years, this framework has sparked an explosion of inquiry into a wide range of languages, and has yielded some major theoretical questions. The final chapter revisits the key issues, reviewing the "biolinguistic" approach that has guided Chomsky' s work from its origins to the present day, and raising some novel and exciting challenges for the study of language and mind.
Preface to the third edition
Preface to the second edition
Preface to the first edition
1 Linguistic contributions to the study of mind: past
2 Linguistic contributions to the study of mind: present
3 Linguistic contributions to the study of mind: future
4 Form and meaning in natural languages
5 The formal nature of language
6 Linguistics and philosophy
7 Biolinguistics and the human capacity
Index
One difficulty in the psychological sciences lies in the familiarity of the phenomena with which they deal. A certain intellectual effort is required to see how such phenomena can pose serious problems or call for intricate explanatory theories. One is inclined to take them for granted as necessary or somehow "natural."
The effects of this familiarity of phenomena have often been discussed. Wolfgang K6hler, for example, has suggested that psychologists do not open up "entirely new territories" in the manner of the natural sciences, "simply because man was acquainted with practically all territories of mental life a long time before the founding of scientific psychology.., because at the very beginning of their work there were no entirely unknown mental facts left which they could have discovered."1 The most elementary discoveries of classical physics have a certain shock value man has no intuition about elliptical orbits or the gravitational constant. But "mental facts" of even a much deeper sort cannot be "discovered" by the psychologist, because they are a matter of intuitive acquaintance and, once pointed out, are obvious.
There is also a more subtle effect. Phenomena can be so familiar that we really do not see them at all, a matter that has been much discussed by literary theorists and philosophers. For example, Viktor Shldovskij in the early 1920s developed the idea that the function of poetic art is that of "making strange" the object depicted. "People living at the seashore grow so accustomed to the murmur of the waves that they never hear it. By the same token, we scarcely ever hear the words which we utter... We look at each other, but we do not see each other any more. Our perception of the world has withered away; what has remained is mere recognition." Thus, the goal of the artist is to transfer what is depicted to the "sphere of new perception"; as an example, Shklovskij cites a story by Tolstoy in which social customs and institutions are "made strange" by the device of presenting them from the viewpoint of a narrator who happens to be a horse.
装 帧：平装
页 数：190
开 本：16开
正文语种：英语
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