美术馆(总第15期2008年B辑)

        关于艺术论域中从现代主义到后现代主义的裂变，一直是西方现代艺术批评与现代艺术史研究的重大课题。本辑“开放的学科”收入了多篇不同切入角度与多种个案分析的论文，理论阐释与批评路径的多元性将有助于中文语境中的读者增进对这一课题研究的了解。尤其值得欣慰的是，几位国内青年学者关于这个课题的论文显示出他们严谨的学风与史论结合的思辩能力。郎绍君、高美庆教授分别从中西方艺术的角度对丁衍庸艺术进行了深入的个案研究，使这位长期以来在国内现代美术史研究中被忽视的艺术家能更全面地进入到研究者的视野中。

    卷首语Preface
    当代文化中的美术馆
    Art Museums in Contemporary Culture
    收藏／博物馆  唐纳德普雷兹奥西著易英译
    Collecting|Museums Donald Preziosi Translated by Yi Yinge
    展台与展品  安娜．维亚尔著李军译
    Exhibition Stand and Exhibits  Anne Villard Translated by Li Jun
    令观众在展品与文字说明卡之间周旋的技艺  安娜一索菲．格拉辛著李军译
    The MethOd Makes the Audience Focused on Both Exhibit and Instruction Card
    Anne—Sophie Grassin Translated by Li Jun
    油画修复观念思辨江郁之
    The Spekulation of Oil Painting Restoration Jiang Yuzhi
    美术博物馆画库及其软硬件配置要求丁宗江
    The Software and Hardware Requirement OfAn Museum’S Artworks
    Storage Room Ding Zongjiang
    博物馆之间艺术作品外借与交换管理的基本原则  李军译
    The Basic Regulation of Artworks’Circulation in Museum Community
    Translated by Li Jun
    故宫之为文化的再现：中国艺术展览与典律的形成  朱静华著徐婉玲译
    The Palace Museum as Representation of Culture：Exhibition and Canons of
    Chinese Art History Jane C Ju Translated by Xu Wanling
    一个预置的紫禁城？
    ——记1915年中华民国参加巴拿马一太平洋世博会  苏珊著肖笛译胡斌校
    A Pre--Fab Forbidden City？The Chinese Republic at the Panama--Pacific Expo of
    1915  Susan R．Fernsebner Translated by Xiao Di Proofread by Hu Bine
    香港地区博物馆与社区身份认同研究：以“香港故事”为个案李晓欣
    Hong Kong Museum System and Community Identity Study：A Case Study of
    “Hong Kong Story”Exhibition Li Xiaoxin
    开放的学科
    A Subject of 0pen Nature
    现代主义  查理．哈里森著易英译
    Modernism Charles Harrison Translated by Yi Ying
    纽约波普艺术运动的兴起——兼论收藏家与艺术商在其中的作用  李云
    The Rise of New York Pop An—一The Roles That Collectors and Art Agents
    Played in this Movement  Li Yun
    寻常事物的变形(摘译)  阿瑟．C．丹托著陈岸瑛译
    A Abridged Translation from Arthur Coleman Danto’S The Transfiguration of the
    Commonplace Translated by Chen Anying
    后形式主义批评与现代主义神话的破灭
    ——罗萨林·克劳斯对格林柏格批评理论的批判  何桂彦
    The Criticism of Post—Formalism and Collapse of Modernism Myth
    —Rosalind Krauss’S Criticism on Greenberg’S Critical Theory He Guiyan
    命定策略下艺术之物的视觉性分析蒋文博
    The Visual Analysis of the Artistic Objects under the Destined Strategy
    JiangWenbo
    “人文精神”的两歧单世联
    The Divergence of The Humanistic Spirit Shan Shilian
    中国现代艺术大众化思潮的起兴与演变
    ——一个思想史的进路  黄宗贤鲁明军
    The Rise and Evolvement of Popularization of Chinese Modem Art
    —A Access Road into Intellectual History Huang Zongxian Lu Mingjun
    从回归到超越——丁衍庸的中国画郎绍君
    From Returning to Beyond--Ding Yanyong’S Chinese Painting Lang Shaojun
    心源一脉贯西东——丁衍庸的油画艺术高美庆
    A Pure Art Belief and Comprehensive Mind
    Ding Yanyong’S Oil Painting Gao Meiqing
    在大风大浪中成长：新中国美术中的儿童形象骆思颖
    Growing Against the Strong Wind and Big WaVes—The Image of Children in
   Chinese Fine Art After 1 949  Lu0 Siying
    策展前沿
    The Latest News of Exhibition-curation
    关怀前沿文化，关注当下历史
    ——关于“广州三年展”的内在思路和学术走向  王璜生
    Caring Frontline，Observing Present History Inner Thinking and Academic
    Direction of Guangzhou Triennial Wang Huangsheng
    “后殖民之后”的观察和预感
    Observations and Presentiments on“After Post—colonialism” Gao Shiming
    通过第三届广州三年展公众活动谈艺术博物馆(美术馆)公共教育刘端玲
    Public Education Effect of Museum via the Public Activities During The Third
    Guangzhou Triennial Liu Duanling
    书林中的多元视角
    A Polycentric Review of the Books
    文献·学术·高度——读《高山仰止：王朝闻百年诞辰纪念集》  朱万章
    Documents·Academy·Achievement--Impressions of A Hearty Admiration：Fest—schrift of Wang Zhaowen Zhu Wanzhang